The 8 Best Microphones for Vocals

Martin Kristiansen

Martin Kristiansen

My name is Martin Kristiansen and I’m the founder and chief editor of I’ve been playing, recording and producing music for the last 10 years.

Looking to record some vocals? Then you want a vocal mic that delivers crisp recordings along with an accurate representation of your voice. In this post, I review the best microphones for vocals.

Let’s dive right in!

I tested eight of the best microphones for vocals and found the Shure SM7B to be the best microphone overall.

I understand how important research is when it comes to microphones and other expensive vocal equipment. No one wants to spend several hundred dollars on a mic that doesn’t quite live up to their expectations.

I use my microphones for a variety of reasons. I’m a podcaster and an amateur musician. Since I was in the market for a new microphone, I thought it would be helpful to document my research and make it public so more people could benefit from my findings.

I’m an audio tech fiend, so I have to admit that I really enjoyed playing around with all the different microphones on my list. There wasn’t a single one that I would label as “bad” — they just vary a bit in what they’re best used for.

However, with my interests in vocal musical sound and podcasting, I wanted to find a versatile microphone to cover my bases without breaking the bank completely. 

I got exactly what I wanted with the Shure SM7B mic.

At a Glance: Our Pick of the Best Microphones For Vocal Recording

I had a rough idea of the categories I was interested in rating before starting this experiment. However, I eventually narrowed the categories down to eight that revolved around various types of audio.

Well, enough chit-chat — let’s get to the good stuff:

  • Best Overall: Shure SM7B
  • Best Value: Audio Technica AT2020
  • Best Premium Pick: DPA d:facto 4018
  • Best Budget Pick: Behringer SL 84C
  • Best For Live Performances: Shure SM58
  • Best For Podcasting: RØDE Podcaster
  • Best USB Vocal Microphone: Blue Yeti USB Mic
  • Best For Voice-Over: Neumann TLM 102

Shure SM7B — Best Overall Microphone for Vocals

shure sm7b
Best Microphone For Vocal Recordings: Shure SM7B

When it came down to selecting the best overall microphone for vocals, the Shure SM7B was the clear winner. You can read the full Shure SM7B review here.

This mic probably isn’t best for beginners or those who just want to play around on the weekend. However, if you’re serious about your vocal work and looking for a high-quality mic that can perform on multiple levels for every type of voice — this is your mic!

And the public agreed with me.

Pretty much every single review site listed this microphone as averaging five out of five stars! We’re talking about thousands of very satisfied and delighted mic users — that’s pretty darn impressive! People loved it for a variety of reasons, and so many reviews commented on how they felt it made their voice sound “real.” 

I know many people don’t like the sound of their own voice, but this mic really helped to introduce clarity into the mix.

I particularly appreciate the versatility of this mic. It’s eliminated my need for job-specific microphones.

  • Great versatility! People can use this mic for various purposes, including music vocals, spoken word, podcasts, and instrument audio such as bass guitar, violin, and acoustic guitar.
  • It’s excellent for nonprofessional recording spaces. It can cut down on background noise and really increase the sound quality.
  • It’s a durable mic that should last you a long time.
  • The Shure SM7B requires a lot of gain.
  • Mic placement can be crucial — if it’s misplaced, I found it can make you sound slightly nasally.

Audio Technica AT2020 — Best Value

audio technica at2020
Best Value: Audio Technica AT2020

The Audio Technica AT2020 is an excellent lower midrange microphone! Overall, it offers clear and crisp vocals and is very dependable. I didn’t find it to be terribly picky with placement, which is nice when you don’t have a lot of time to prep and test the microphone. 

I would recommend this to myself about five years ago. This is a fantastic value microphone for what it’s delivering. This is an excellent option if you can afford to compromise just slightly on the audio details.

I would recommend this mic to my friends who are just starting out in podcasting, voice-overs, or amateur music production.

  • It’s a studio workhorse that can handle a wide range of audio, including vocals and instruments as well as spoken word — it’s a very reliable mic!
  • The Audio Technica AT2020 is an incredible value for money, fantastic for those who are starting out in their vocal career or need to budget.
  • It easily outperforms its similarly-priced competitors.
  • I wish it came with connecting cords. It doesn’t, so just be aware that you might want to add that to your shopping cart if you don’t have one at home.
  • The frequency response could be better, but — for the price — I’m still impressed. It just took a little extra equalization to get it where I wanted.

DPA d:facto 4018 — Best Premium Pick

dpa d:facto 4018
Best Premium Pick: DPA D:facto 4018

I really enjoyed my time playing around with DPA’s d:facto 4018 microphone. This high-end microphone was just on the edge of my price range. The d:facto is a super-cardioid, condenser mic, which is excellent for on-stage, live performances.

Its super-cardioid polar pattern maximizes mic gain before feedback, resulting in impressive high-quality sound. Moreover, it gives studio-quality sound in a handheld microphone, which is pretty remarkable.

At the end of the day, it didn’t offer enough value for me to justify the extra cost. However, I know some touring bands do use these mics. So I still think it’s an excellent option for people.

Pros and Cons

  • It isn’t reliant on pop filters.
  • It works really well for beatboxing and rapping.
  • The DPA d:facto 4018 can be adapted to go wireless with most systems.
  • The price is the most expensive microphone on the list, and at the end of the day, I didn’t feel the extra cost added enough value for my personal needs.
  • You can adapt it for wireless systems, but you’re looking at spending a significant amount of additional money to make that a reality.

Behringer SL 84C — Best Budget Pick 

Behringer SL 84C
Best Budget Option: Behringer SL 84C

This microphone is on the list because it is hands-down the best vocal microphone in its jaw-droppingly low price range. 

This microphone will probably cost you less than last night’s dinner!

That said, judging by the customer reviews, this microphone deserves some recognition. This microphone looks suspiciously like the high-quality Shure SM58, which is next on my list. I imagine it wouldn’t be hard to pass it off as a Shure visually. However, the sound qualities don’t compare.

The sound on the Behringer is impressively good for the price, and it handles feedback better than I would have anticipated. I would definitely recommend this mic to someone on a strict budget. I plan to gift it to my 14-year-old nephew for his garage band.

  • The Behringer SL 84C is incredibly cheap and offers incredible value for its cost.
  • It feels sturdy. I expected it to feel much “cheaper” than it did.
  • It’s a great starter microphone for someone not ready to invest much money just yet.
  • It doesn’t have the quality of the Shure that it looks similar to, but I never expected it would.
  • You’ll need to buy the cable and a mic stand if you want one.

Shure SM58 — Best for Live Performances

shure sm58
Best For Live Performances: Shure SM58

The Shure SM58 microphone was first released in 1966 and is the world’s top-selling live performance mic.

It’s a unidirectional cardioid dynamic vocal mic designed for use in live performances. It has an excellent spherical filter to minimize external noise such as “pops” and wind. Overall, it has an excellent reputation amongst musicians.

The Shure SM58 is a phenomenal mic — especially for touring and live performances. It has exceptional and consistent sound quality. It offers a wide frequency response, and it’s extremely durable. 

  • The sound quality is terrific, and it lives up to its legendary reputation.
  • It’s priced incredibly reasonably for such a high-performing mic.
  • It’s incredibly durable, but if you somehow break your Shure SM58, it can generally be replaced piece by piece.
  • It’s just OK for use as a studio recording mic — there are much better options for this type of usage. 
  • If you’re not into handheld microphones, then this might not be the best mic for you.

RØDE Podcaster — Best for Podcasting

RØDE Podcaster
Best For Podcasting: RØDE Podcaster

The RØDE Podcaster is a specialist USB microphone that focuses its efforts on delivering great vocals for podcasts. It’s a dynamic mic that gives the benefits associated with a dedicated speech microphone.

While most USB mics are condenser microphones, the RØDE Podcaster is dynamic. It employs a 28 mm neodymium dynamic capsule and an internal pop filter to help minimize unwanted sounds and distortion.

It’s compatible with Windows 7 and 8 and Mac OS X and some Linux distributions. It also works with the Apple iPad and the GarageBand app.

The last thing worth noting is the size and weight of this microphone. It’s wider than most mics, so it may not fit in your current mounts. Additionally, it’s cumbersome at 655 grams, so if you plan to use it with a mic boom arm, check that the boom can handle its weight.

  • This mic gives a very solid DJ sound quality allowing clean and clear broadcast-style vocals.
  • It comes with an internal pop filter and internal shock mounting.
  • It comes with a ten-year warranty.
  • You may need to buy a few extras, like an additional external pop filter, a mic stand, and maybe an external shock mount.
  • The mic does much better with the lows than the highs.

Blue Yeti USB Mic — Best USB Microphone

Blue yeti USB mic
Best USB Mic: Blue Yeti

The Blue Yeti USB mic has a retro-style look and a heavy, solid weight. It’s undoubtedly not dainty! It’s designed to sit directly on your desk. However, many people choose to remove the stand and use it in an external microphone arm set-up. 

It has a built-in gain dial, a volume knob, a mute button, and a pattern switch to choose between four operating modes:

  • Cardioid mode
  • Stereo mode
  • Omnidirectional mode
  • Bidirectional mode

I tested each of the four modes and found the Yeti to give clear quality vocals in every test. You may need a pop shield. I certainly would invest in one if I were to purchase this mic. 

This mic is a great value, giving a high-quality performance for a reasonably low price. 

  • It has lots of functions, features, and modes to choose from.
  • I liked its sturdy design and table-top build for podcasting, voice-overs, and other desk- or table-based vocal activities. 
  • The Yeti gave clear vocal quality for the price; it’s a great value mic!
  • If you use the included stand, the mic seems to pick up every vibrational sound, which can be troublesome if you’re not in a completely soundproof location. I found that putting it on a spring mount arm mostly eliminated this issue.
  • I didn’t have any issues with the Yeti, but I can’t ignore the numerous reviews that complain about Blue’s customer support — or lack thereof.

Neumann TLM 102 Vocal Condenser Microphone — Best for Voice-Over

Neumann TLM 102
Best For Voice-Over: Neuman TLM 102

The Neuman TLM 102 is an effective microphone for voice-overs. It produces wonderfully clear-sounding vocals without any harshness. For the price, it’s also great for acoustic guitars and general studio usage. 

It’s a nominally cardioid-only microphone without any built-in pads or filters. It’s not exceptionally sturdy, so I wouldn’t recommend taking it out of your studio for live performances or anything similar. It’s also surprisingly small, almost toy-like. However, it’s sturdy and certainly does not have a “cheap” feel.

The mic itself is no-frills. It doesn’t have an array of buttons, switches, or dials. Just plug it in and go! It has a glued diaphragm designed to respond quickly, resulting in excellent transient detail.

This mic is really built and designed for in-studio usages, like voice-overs — and I have to say, it does that job exceptionally well! I highly recommend this mic for in-studio use, particularly voice-over work. Give it a try — you won’t be disappointed!

  • It has a very lovely sound quality across a variety of sources.
  • It’s straightforward to use, partly due to its lack of features. You can just plug this mic in and get going without any fussing around with the calibration.
  • The Neumann TLM 102 has exceptional sound clarity and overall quality. This mic can hit the mid-range and high ranges particularly well.
  • You’ll probably need to invest in an external pop filter and shock mount for the best vocal quality. I was experiencing some structural born resonance until I used a shock mount.
  • For those who enjoy the dials and switches, the plug-and-go style of this microphone may not appeal to you. While some people enjoy just getting down to work without fussing with the equipment, I know some people strongly prefer to tweak their mics to perfection.

Buying Guide – Choosing the Best Microphone for Vocals

After playing around with these eight superb microphones, I have to admit that I feel a bit spoiled. Even though this article focuses on the best microphones for vocals, I played around with my instruments as well, and I mentioned when I was impressed.

However, the most important things I focused on were the vocal sounds coming out of the microphones. Those sounds can be affected by how the user is using their voice — are they:

  • Speaking by themselves or to another person (podcasts)
  • Singing by themselves or with another person (duets)
  • Rapping or beatboxing

Then there were questions about the user’s voice itself, which could affect which microphone might be best for them. 

For example, does the user:

  • Primarily speak or sing in low tones, mid-range tones, or high tones? Some mics are better at picking up different ranges, and this should be considered.
  • Put on a range of character voices that cover multiple ranges? This is also important to consider.

I looked at the microphones’ features, their built-in features, and the user’s amount of control to modify and adjust the sound quality. I also considered things like weight, sturdiness, multi-functions, wind distortion, and whether it would be appropriate in other settings outside of a studio.

Finally, the cost is an essential factor to almost everyone — if it’s not for you, then I recommend you get all of these mics! But on a serious note, it’s refreshing to see that budding musicians and entrepreneurs can get their hands on extremely high-quality mics for under $100. Of course, the quality goes up with the price, but there are some really phenomenal options out there for those on a budget. 

The Best Overall Vocal Microphone

In the end, I chose the Shure SM7B as the “Best Overall Microphone” because of its versatility. The ability to use one mic for all of my vocal work carries huge appeal for me. If you want an all-in-one mic like the SM7B, you should expect it to cost a bit more because you’re essentially replacing your other mics.

At least, that’s how I rationalized it to my partner.

Also, its durability helped me look past the dollar signs. I plan on using this mic for a very long time. During my research, I read stories of these mics bouncing out of trucks going 65 M.P.H. and surviving to be used in the live performance that night! It’s seriously built like a tank.

Again, the price tag on this mic is probably going to exclude all but the most devoted beginners, and that’s understandable. There are some excellent budget-friendly options on the market today that can be easily upgraded when the time comes.

Well, enough about my fun mic experiment. I’m sure you can’t wait to get your hands on the Shure SM7B microphone and check out the vocals for yourself!

Let me know how you like it!

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